I spent years performing at the highest level — conservatory-trained to master’s degree, direct Segovia lineage, session and touring work with TLC, Snoop Dogg, and Mavis Staples. I’ve played in front of conservatory panels and stadium crowds. I know what it takes to perform under pressure at a professional level.

But what I actually obsess over is why good players plateau.

Most technique problems have nothing to do with talent, practice hours, or musical feel. They’re mechanical. The hand is doing something physically inefficient, usually something small, and it compounds every single time you play. The frustration you feel isn’t a character flaw. It’s a biomechanical problem with a specific fix.

That’s what I do. I find it, I show you exactly what it is, and I give you a direct path to fixing it.